Commissioned by Glyndebourne and Saffron Hall Trust. Project initiated by Jim Potter and generously supported by Jim and Hilary Potter.

Commissioned by Glyndebourne and Saffron Hall Trust. Project initiated by Jim Potter and generously supported by Jim and Hilary Potter. https://www.saffronhall.com/whats-on/view/uprising https://www.rsno.org.uk/liveevent/uprising/

  • Soloists, SATB Teenage and Adult Choirs – On-Stage: 7Perc – 2(1/2,Picc).2(1/2,CorA).2(1/2,BCl).2(1/2,Cbsn) – 4.3.3.1 – Timp.3Perc.Harp – Strings
  • SATB Teenage & Adult Choirs (each with solo parts)
  • 2 Sopranos, Mezzo-soprano, Tenor, Baritone, Bass
  • 1 hr 45 min

Programme Note

Lola refuses to go to school. Overwhelmed by the loss of the rainforest, she can’t see the point of school if there’s no future. Sitting alone outside the school gates, she is mocked by her classmates and the townspeople. But encouraged by activists she meets online, she persists, and gradually fellow pupils start to join her strike. They soon find themselves part of a global movement.

Lola’s mother has won a new contract that threatens the local ancient woodland, whose loss may have catastrophic consequences. She is on a collision course with her daughter. What will the future hold?

Jonathan Dove and April De Angelis' new community opera looks at the climate emergency through the eyes of those whom it will affect the most – the young. From teenage rebellion to the connective power of the internet, family dynamics to business ethics, it asks searching questions on an issue that should unite us all. How do we cast our eyes beyond the here and now? What is the most effective form of protest, and are we listening carefully enough to those that do? April De Angelis’ lyrical, witty words are matched by Dove’s urgent, impassioned music for a drama that melds the everyday with fantasy, laced with humour, honesty and warmth. Above all it gives a persuasive voice to the principal players in this crisis – young adults, and nature itself. 

Scores

Reviews

"Timely and inspiring community opera speaks clearly to a modern audience"

"[De Angelis' text] gives Dove the freedom to range widely in his scoring, includging music that has the phraseology of minimalism as well as the wide sweep fo Wagner. The details of the orchestration, with recurring motids and arresting combinations of instruments and a drum troupe, are always interesting."

The Herald
31st March 2025

"Dove's music was as veiscerally powerful as it was clever: he grounded his language deep in music's natural resonances, but wasn't afrai to throw in a bit of jazz, a bit of Stravinsky and quite a lot of John Adams, though the brisk, deftly scored style was distinctively his own, played with vigour and masses of character by a top-form RSNO under Ellie SLorach's crisp, precise direction."

David Kettle, The Scotsman
31st March 2025

The work, however, is rooted in Dove’s writing for Glyndebourne Youth Opera and the Glyndebourne Community Chorus, direct yet complex, and utterly ravishing in the forest scenes with their overlapping counterpoint and textures.

Tim Ashley, The Guardian
3rd March 2025

Jonathan Dove's masterful new community opera, a homage to Greta Thunberg and young eco-warriors everywhere, is so beautifully scored that every word is clear whether sung by professional or amateur. 

There are heart-stopping climaxes for the whole cast, choral passages that counterpoint catchy refrains over minimalist riffs, lyrical solos (including one gorgeous unaccompanied interlude evoking birdsong), ominous recurring motifs suggesting the desecration of nature, and light-touch comedy ensembles, all beautifully scored so that every word, whether sung by professional or amateur is heard. 

Richard Morrison, The Times
2nd March 2025

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