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- Poul Ruders
Nightshade (1987)
- Edition Wilhelm Hansen Copenhagen (World)
- 1.1.0+cbcl.0+cbn/1.0.1.0/perc/pf/str(1.0.0.0.1)
- 9 min
Programme Note
Nightshade is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular: tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall.
Shades in the night are pale and gloomy phenomenons to behold; treacherous beauties in the mighty realm of invisibility and blackness. Belladonna (beautiful lady) is the morbid christening of that fearsome variety of flora: the deadly nightshade.
The piece is, on one hand, a study in extreme sonorities; the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe.
On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word Nightshade. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.
- Poul Ruders
Shades in the night are pale and gloomy phenomenons to behold; treacherous beauties in the mighty realm of invisibility and blackness. Belladonna (beautiful lady) is the morbid christening of that fearsome variety of flora: the deadly nightshade.
The piece is, on one hand, a study in extreme sonorities; the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe.
On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word Nightshade. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.
- Poul Ruders
Scores
Score preview
Reviews
Formally, Nightshade is...hard to grasp, but musically and expressively it's far more interesting, a miniature tone poem set in the lower depths with a sound world dominated by contrabass clarinet and contrabassoon, and illuminated by occasional shafts of light from high-register violin and woodwind. As a study in bleakness, it's hard to beat.
7th October 2008
Discography
Nightshade Trilogy - Ruders Edition Vol.12
- LabelBridge
- Catalogue Number9433
- ConductorPaul Mann / Oliver Knussen / Scott Yoo
- EnsembleOdense Symphony Orchestra / Capricorn Ensemble
- Released3rd November 2014
Four Dances in One Movement
- LabelDacapo
- Catalogue Number8.226028
- ConductorOliver Knussen
- EnsembleBirmingham Contemporary Music Group
- Released1st April 2010
Ruders Edition Vol.1
- LabelBridge
- Catalogue Number9037
- ConductorDonald Palma / Oliver Knussen
- EnsembleSpeculum Musicae / Capricorn Ensemble
- SoloistDavid Starobin (guitar)
- Released1992