ed. by Maurice Peress

  • 3(III:pic).2+ca.2+bcl.2+cbn.asx.tsx/4.4.3[+1].1/timp(perc).2perc.dmkit(congas)/pf.hp/egtr/str.jazzdb (orchestral alto sax, 4th trombone, and electric guitar are not in the score; parts are provided)
  • Eb, Bb or C instrument
  • 19 min
    • 17th January 2026, E.J. Performing Arts Hall, Akron, OH, United States of America
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Programme Note


Scores

Reviews

The music that leaped out at listeners was Gould's Spirituals in Five Movements and Ellington's Three Black Kings. Smart, concise, alternately soothing and shattering, always sincere: Gould's orchestral writing represents everything good and important in the American urban sensibility by hint of exceptional craftsmanship. Popular music is transformed. Ellington's piece reorganizes symphony orchestra sound. Strings are busy but largely subservient to winds and percussion. One was fascinated by the elegance of this music, the fastidious attention to every sonority, the love of delicacy even in emphatic moments.
Bernard Holland, The New York Times

Discography

Title Unavailable
  • Label
    Musical Heritage Society
  • Catalogue Number
    MHS 512335
  • Conductor
    Maurice Peress
  • Ensemble
    American Composers Orchestra

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