Among his most well-known works are Summer Trio (1968) – a defining piece in the new Danish simplicity; Felix Luna (1970-71) – a ballet commissioned by the Royal Danish Theatre; Gymel (1983) – one of Buck’s many internationally performed pieces and Landscapes I-IV (1992-1995) – inspired in part by the landscapes surrounding his home in Lolland.
Critical Acclaim...If there is such a thing as ‘visual’ music – music perceived with immediate clarity, as graphically as a written language – then it is the music of Ole Buck – Karl Aage Rasmussen, Naxos Music Library
Ole Buck was born in Copenhagen on February 1st 1945. He started to compose when in school, and when he graduated, he contacted a number of older composers, including Per Nørgård and Pelle Gudmundsen-Holmgreen for further advice and he became part of a group of younger composers dedicated to analysing and discussing modern scores.
When Buck was famously not accepted at the Royal Danish Academy of Music, Per Nørgård left the academy for the Aarhus Academy of Music along with his composition class, where Buck was accepted in 1965.
At the age of 20 he finished his first major piece, Calligraphy. It was mostly influenced by European modernism, but it brought something new in the combination of figuratively repetitious and small, slowly evolving sound patterns suggestive of minimalism.
Among his most well-known works are Summer Trio (1968) – a defining piece in New Danish Simplicity; Felix Luna (1970-71) – a ballet commissioned by the Royal Danish Theatre; Gymel (1983) – one of Buck’s many internationally performed pieces and Landscapes I-IV (1992-1995) –inspired in part by the landscapes surrounding his home on Lolland.
There is a spacious character to many of Buck’s compositions. Through the years, he has worked with a mixture of styles and has never felt tied to one specific direction. He has always been open to experimentation and in search of new sounds, but never lost his identity as a composer.