Symphony No 4 (2025)
(Symphony for winds)

This symphony is a deeply personal work, commissioned by three institutions whose belief made it possible: the Queensland Conservatorium Griffith University, where I studied, taught, and eventually became Professor; the University of Melbourne, where I completed my Masters in composition; and the Yong Siew Toh Conservatory in Singapore, whose generous support I warmly acknowledge.

At its heart, the piece is a love letter to the wind symphony—a world I have inhabited for decades, as both player, tutor and conductor. It is inspired by years spent inside the sound, and by the towering repertoire that defines the form: Holst’s nobility, Grainger’s eccentric brilliance, Husa’s fire, Hindemith’s unparalleled craftsmanship, Dahl’s lyricism, and the distilled mystery of Stravinsky’s Symphonies of Wind Instruments.

The work is dedicated to the memory of my first composition teacher, John Gilfedder, whose encouragement and curiosity opened doors I’m still walking through. It also belongs to the many players of the Conservatorium Wind Orchestra—past, present, and still to come—whose energy and commitment have helped shape my musical life.

And most of all, it is a gift of gratitude and friendship to Peter Morris—without whom this  symphony may never have been written.

Paul Dean 2025

The composer gratefully acknowledges Isabella Gerometta for her tireless dedication and meticulous attention to detail in the preparation of the final performance score.