Commissioned by the New Music Group of Scotland with assistance from the Scottish Arts Council

  • fl(pic,afl)cl(bcl)/perc/pf/str(2.0.1.1.0)
  • Narrator
  • 19 min
  • arranged by the composer

Programme Note

I chose to set the text from the upper horizontal border of the Bayeux tapestry, which in my piece is declaimed severely by a narrator. For dramatic reasons, I made small alterations to the original text in places, repositioning one or two scenes, adding the occasional word, and translating the whole from Latin into English.

The story has a three-act structure: (1) the background to the Norman invasion of England in 1066, particularly the French contention that Harold of England had promised the English throne to William of Normandy; (2) the extensive technical preparations for the invasion; and (3) the Battle of Hastings and the death of King Harold.

In the original performances, the extensive percussion element consisted largely of post-industrial junk found around the streets of Glasgow and the shores of Fife, where the piece was written. For me, the instrumental music mirrors my reactions to the tapestry itself: at first, one is charmed by its cartoon-strip matchstick men, but on closer inspection, its content is found to be increasingly vicious.

© Copyright 1995 Judith Weir

Media

Thread! (Part 1)
Thread! (Part 2)
Thread! (Part 3)

Scores

Preview the score

Discography

Not now, Bernard and other stories

Not now, Bernard and other stories
  • Label
    Orchid Classics
  • Catalogue Number
    ORC100115
  • Conductor
    Tom Hammond
  • Ensemble
    Orchestra of the Swan
  • Soloist
    Alexander Armstrong, narrator
  • Released
    1st February 2020