Sonata for Trumpet and Piano (2015)
(Return Journey)

“The trio Ensemble Three recently collaborated with Australian composer Stuart Greenbaum to record a set of the composer’s sonatas. This project is part of a larger ongoing endeavour by Greenbaum to create recital works for all major orchestral instruments. Return Journey features Greenbaum’s Sonata for Trumpet and Piano, performed by Joel Brennan. The composition, in two movements separated by piano interlude, was inspired by the Mars One mission and NASA’s planned Orion spacecraft The composition is solid, with fluid trumpet lines over rhythmic and harmonically pleasing themes in the piano. Brennan’s trumpet playing is clear and beautiful throughout, and the production quality is first-rate. Greenbaum’s sonata will soon be a staple in our modern classical trumpet repertoire.”

“this is very listenable music and that laid-back approach of the composer leads to a feeling of relaxation.”

“Sonata for Trumpet and Piano (performed by Joel Brennan) echoes the trombone work in its ‘floating’ and ‘travelling’ feel, but this work explicitly represents the Mars One mission. The first movement, Journey to Mars: 6 to 8 months, uses a mute to produce lengthy tones – a device representing the dual empty and majestic feelings of the universe itself. Scattered piano notes evoke the stars, while space becomes a thematic metaphor as well as a musical device throughout the work.”

“In searching for the real Stuart Greenbaum I think I eventually tracked him down in the beautiful, even sexy, Trumpet sonata. Here his music is inspired by outer space and a trip to Mars. Its three interconnected sections being ‘Journey to Mars’ with its repetitious harmonies in the piano under a languid, floating melodic line then a brief ’Interlude’ for solo piano and finally ‘Return Journey’ with its “different emotional psychology” and having in it the only fast and expectant music in the work. At times I was reminded of Aaron Copland’s. ‘Quiet City’ (if that’s a help). The composer was fortunate indeed to have two such sensitive musicians as Joel Bremen with his elegant tone quality and pianist Konrad Olszewski who record it here.”