• John Cage
  • Nocturne (1947)

  • Henmar Press, Inc. (World)
  • pf/vn
  • 4 min
    • 17th June 2026, Mendelssohn-Saal, Gewandhaus, Leipzig, Germany
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Programme Note

In this piece, Cage tries to soften the distinctions inherent between the two instruments used. Overall, the piece has an atmospheric character, like many other compositions from this period. It should be played with sustained resonances, and 'sempre rubato', giving the work a quirkily Romantic feel. The piano part employs mostly chordal arpeggios and tone clusters, the violin part mostly sustained tones.