• Kaija Saariaho
  • Saarikoski-laulut (orchestra version) (2020)
    (Saarikoski Songs)

  • Chester Music Ltd (World)

Commissioned by Leipzig Gewandhaus Orchestra and Boston Symphony Orchestra, Andris Nelsons, Music Director

Please note that the version for voice and piano cannot be used to prepare the orchestra version. Please contact us for a vocal score of the orchestra version.

  • S + 1(afl)+pic.1+ca.1+bcl.1+cbn/2.1.0.0/timp.perc/cel/str
  • S/pf
  • Soprano
  • 24 min
  • Pentti Saarikoski
  • Finnish

Programme Note

Saarikoski-laulut, Saarikoski Song Cycle
- Luonnon Kasvot (The faces of nature)
- Jokaisella on tämänsä (Everyone from now on will have their own)
- Kaikki tämä (All of this)
- Minussa Lintu ja Käärme
- Sumun läpi

Media

Features

  • Kaija Saariaho’s Poetic Montages
    • Kaija Saariaho’s Poetic Montages
    • From the very beginning of her career as a composer, Kaija Saariaho has turned to poetry as a material and inspiration for her music. The forms and logics of poetry have played a defining role in her output since then.

Reviews

Kaija Saariaho has expanded her range to a greater inclusion of lyrical movement, while retaining her sharp ear for sound quality and color.
In “Luonnon kasvot” (The face of nature) Saariaho adds avian ululations to the text and much pitch bending to the orchestrated accompaniment to suggest the sounds of the vanished forest. 
In “Kaikki tämä” (All of this) brings a stillness, the voice is often unaccompanied, its rejoicing over the few things of nature that remain seeming small and isolated. “Minussa lintu ja käärme” (The bird and the snake) is pacier and menacing, featuring a primal repeated-note ostinato growling in the lower strings, and the brief finale, “Sumun läpi” (Through the mist), also relies on basses and cellos to create a foreboding sense of “petrified time” amid wisps of melody and the overwhelming gray colors. It’s not the cheeriest of landscapes, but its motivic unity and resourceful scoring, and Komsi’s stellar execution, make one want to become better acquainted with it.

Vance R. Koven, The Boston Musical Intelligencer
26th February 2022

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