Commissioned by Gothenburg Symphony Orchestra and Iceland Symphony Orchestra. First performed by Gothenburg Symphony Orchestra and Iceland Dance Company conducted by Anna-Maria Helsing, with choreography by Erna Ómarsdóttir, on 24 May 2019 at Gothenburg Concert Hall.

For concert version click here

  • 2+afl.0.2+bcl.2+cbn/4021/3perc/str
  • 45 min

Programme Note

AIŌN is a symphony-scale orchestral work in three movements, titled Morphosis, Transcension and Entropia.

AIŌN is inspired by the abstract metaphor of being able to move freely in time, of being able to explore time as a space that you inhabit rather than experiencing it as a one-directional journey through a single dimension. Disorienting at first, you realize that time extends in all directions simultaneously and that whenever you feel like it, you can access any moment, even simultaneously. As you learn to control the journey, you find that the experience becomes different by taking different perspectives - you can see every moment at once, focus on just some of them, or go there to experience them. You are constantly zooming in and out, both in dimension and perspective. Some moments you want to visit more than others, noticing as you revisit the same moment, how your perception of it changes. This metaphor is connected to a number of broader background ideas in relation to the work: How we relate to our lives, to the ecosystem, and to our place in the broader scheme of things, and how at any given moment we are connected both to the past and to the future, not just of our own lives but across - and beyond - generations.

As with my music generally, the inspiration behind AIŌN is not something I am trying to describe through the music or what the music is “about”, as such – it is a way to intuitively approach and work with the core energy, structure, atmosphere and material of the piece.

Media

Anna Thorvaldsdottir: AIŌN (trailer)

Reviews

an extraordinary three-movement work ... a soundworld that could be massively placid, deafeningly chaotic, weirdly unearthly, or awesome with oceanic majesty.

Perry Tannenbaum, Classical Voice North America
12th June 2022

[AION] took the audience on a moving sound journey ... bathed in a slow-moving sonorous sequence of chord clusters. Whether one describes the sound as primordial, chromatic or stereophonic, the sound envelops you. There is constant movement, rhythms that propel one forward... one’s attention never wanes.

Deanna McBroom, The Post and Courier
6th June 2022
…Electrifying, too, was the big world premiere of the festival, leading Icelandic composer Anna Thorvaldsdóttir'’s AION, a collaboration with the Gothenburg Symphony Orchestra conducted by Anna-Maria Helsing and the Iceland Dance Company. Erna Ómarsdóttir’s choreography for this mythological meditation on time and space – if there was a narrative, we weren’t made aware of it – contained the wildest of physical gestures, screaming and shouting within rigorous limits and astonishing symmetrical groupings, dancers going to the edge of the physically possible. As Thorvaldsdóttir’s trademark becomings and spacious soundscapes are more about atmosphere than Rite of Spring-like rhythmic intensity, there was a disjunct between the dancing and playing; if anything the stunning video work projected on the birchwood walls of the concert hall, all rocks and water, related more obviously to the music. But the components all stunned.
David Nice, The Arts Desk
30th May 2019
…How explosively the dancers moved as one then scattered, how they invaded the orchestra, seized instruments and hovered above them, how the music and dancers together became a body of sound and combined to create a ritualized, frenzied Gesamtkunstwerk, delighted the majority of the young audience.
Walter Weidringer, Die Presse
27th May 2019
...a resounding success: an abstract work, without specific messages, but that managed to move and make everyone think.
Luis Gago, El País
27th May 2019
...like a force of nature...
Johanna Paulsson, Dagens Nyheter (Sweden)
27th May 2019