• 2.2.2.2/2.2.2.1/timp.2perc+cimb/hp.pf/str
  • 9 min 34 s

Programme Note

In The End Strasnoy pursues Beethoven’s formal logic to its absolute conclusion. The work is an audacious development based on the last measures of Beethoven’s Eighth Symphony. Strasnoy takes the risk of using only major and minor perfect chords. A meditation on the idea of an end (of history, culture, symphonic form, life…), The End ‘does not stop ending’, in a permanent overheating which finishes with the sudden ‘deflation’ of the work, like a balloon.

Media

Reviews

In The End, Oscar Strasnoy starts with a punctuation gesture, in this case the energetic scansion of the last chords of Beethoven's Symphony No. 8, which he "submits to the question", by folding the material to his desire of transformation, metamorphosis and diversion without ever giving up the first gesture; a very personal way of pointing out the conventions and diverting them, which inevitably triggers humor even if it is not directly claimed by its author. The piece ends in finesse, in the almost dematerialized texture of a synthetic sound.
Michèle Tosi , Res Musica
23rd January 2012

Discography

Oscar Strasnoy: Works for orchestra

Oscar Strasnoy: Works for orchestra
  • Label
    Aeon
  • Catalogue Number
    AEO 1331
  • Conductor
    Susanna Mälkki
  • Ensemble
    L'Orchestre Philharmonique de Radio France
  • Released
    14th May 2013