• 0201/0000/str + continuo
  • 2 Basses, Mezzo Soprano, 3 Sopranos, Tenor
  • 2 hr

Programme Note

Based on Milton’s masque, Comus was written in 1745 for performance at Exton Hall, the country seat of the Earl of Gainsborough. Breaking up the dialogue is a sequence of songs by Handel, many of which are drawn from existing operas and oratorios (Alcina, Flavio, Samson, L’Allegro, etc.) with original additions by both Handel (the four final arias) and Arne. Comus is Bacchus, the God of Revelry, Milton’s masque ‘in honour of chastity’, which, in the end, wins out over indulgence.