- Benet Casablancas
Siete Haikus para sexteto (2015)
- Unión Musical Ediciones (World)
Unavailable for performance.
- fl(pic,afl).cl(bcl)/pf/vn.vc.db
- 7 min
- 19th October 2024, Espacio Turina, Sevilla, Spain
Programme Note
I. Full de Dietari, per Antonio Muñoz Molina.
II. Ràfegues de llum.
III. Poco Andante.
IV. Con Moto. Giocoso e Festivo.
V. Poco mosso.
VI. Memento -Haiku per a Maria del Carme Casablancas-
VII. Allegro.
Inspired by the concision and essence-like quality of this literary Japanese poetic form, these pieces have allowed the composer to contrast this type of work to other formally more ambitious works in a more concentrated discursive way. The continuity and expressive intensity of what is written almost in a single stroke, like the gesture of a painter, is being held in a brief and enclosed time frame. The different pieces have a contrasted character and are of a diverse register – some of them serene, playful, lyric, rhythmic, brilliant or festive – but we also find other of a more energetic, dramatic or sad character, as in the very particular case of the sixth Haiku In Memoriam Maria del Carme Casablancas.
II. Ràfegues de llum.
III. Poco Andante.
IV. Con Moto. Giocoso e Festivo.
V. Poco mosso.
VI. Memento -Haiku per a Maria del Carme Casablancas-
VII. Allegro.
Inspired by the concision and essence-like quality of this literary Japanese poetic form, these pieces have allowed the composer to contrast this type of work to other formally more ambitious works in a more concentrated discursive way. The continuity and expressive intensity of what is written almost in a single stroke, like the gesture of a painter, is being held in a brief and enclosed time frame. The different pieces have a contrasted character and are of a diverse register – some of them serene, playful, lyric, rhythmic, brilliant or festive – but we also find other of a more energetic, dramatic or sad character, as in the very particular case of the sixth Haiku In Memoriam Maria del Carme Casablancas.