• Kevin Volans
  • Matepe (for reed quintet) (1980)

  • Chester Music Ltd (World)

Transcribed for the Calefax Reed Quintet

  • ob.cl+bcl.ssx.bn
  • 13 min

Programme Note

This piece was originally written in 1980. It is based on the traditional Shona piece Aroyiwa Mwana from Zimbabwe. The Matepe is a type of lamellophone – a metal keyed instrument of the Mbira family. It is also related to the kalimba. I have taken the chord progression of Aroyiwa Mwana (but in Western tuning, not the original tuning) and written a series of variations in (by and large) the traditional manner of Mbira music, but with a number of more Western features – like octave transpositions of the whole or part of the patterns, the addition of sustained lines, an exposition of the chord progression itself, and of course, the formal structure. A few of the patterns could be considered strictly traditional. The tempo however, is somewhat slower than traditional performance practice. A principal feature and pleasure of Mbira music is the effect of shifting downbeats. The same patterns (usually in a higher register) are suddenly heard in a different way when a new bassline is added, shifting the emphasis forward or backwards by a quaver, or placing stresses in different groupings of three or four beats. We have little equivalent in Western classical music.

Kevin Volans