Commissioned by the Los Angeles Philharmonic, Gustavo Dudamel, Music Director; Symphony Center Presents, Chicago; Cal Performances, University of California, Berkeley; and Carnegie Hall.
Bolts of Loving Thunder was composed in 2013 for pianist Emanuel Ax. When Manny asked me to write a piece that would appear on a program of works by Brahms, I immediately thought back to my experiences as a young pianist. I have clear memories of crashing sloppily but enthusiastically through the Rhapsodies and Intermezzi, and knew I wanted to create a work based on this romantic, stormy idea of Brahms, complete with hand crossing and dense layers of chords. I also felt that there needed to be a touch of the exuberant, floating melodies typical of young, "pre-beard" Brahms. Brahms' "F-A-F" motive (shorthand for "frei aber froh" or "free but happy") gradually breaks through the surface of this work, frenetically bubbling out in the final section. The title comes from a line in John Ashbery's poem Farm Implements and Rutabagas in a Landscape.
Bolts of Loving Thunder was commissioned by the Los Angeles Philharmonic, Gustavo Dudamel, music director; Symphony Center Presents, Chicago; Cal Performances, University of California, Berkeley; and Carnegie Hall.
— Missy Mazzoli