• Mark Adamo
  • Avow (1999)

  • G Schirmer Inc (World)

The following arias for voice(s) and piano are sold by Classical on Demand: "Bear Witness, Love" • "Dad? Why did you stay?" • "It wasn't perfect" • "Why? Why this?"

  • 1.1(ca).1.1(cbn)/1.1.0.0/timp.2perc/pf(cel).hp/str(1.1.1.1.1)
  • pf
  • Soprano, Mezzo-soprano, Tenor, Bass-baritone, Bass
  • 12 min
  • the composer
  • English

Programme Note

Cast:
   THE MOTHER: Soprano. Avid, elegant.
   THE BRIDE: Mezzo-soprano. Wry, ambivalent.
   THE CELEBRANT: Tenor. Glib, daft.
   THE GROOM: Baritone. Earnest, haunted.
   THE GHOST: Bass-baritone. Cool, steadfast.

The wedding morning.

Composer Note:
It was Jonathan Sheffer’s idea in 1999 to recreate the Spoleto Festival’s famous 1959 evening of one-act operas that had introduced, among scores by Hindemith, Foss and others, Samuel Barber’s comedy of domestic discontent A Hand of Bridge, to a libretto by Gian-Carlo Menotti — and he graciously asked me to write a new work to end the evening.

I came up with the idea of the emotions experienced on a wedding morning by an ambivalent bride, her avid mother, the haunted groom, the glib, daft celebrant, and, the ghost of the groom’s father; and, in a gesture to history, I made the groom’s father David, that large-hearted husband caught in a too-small life whom Barber scored as a baritone in A Hand of Bridge but reappears as a bass-baritone in my score.

Avow is scored for soprano, mezzo-soprano, tenor, baritone, bass-baritone, and either piano or chamber orchestra, and is dedicated with respect and gratitude to Jonathan Sheffer: it was introduced by Eos Orchestra in New York in May 1999.

— Mark Adamo

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