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- Augusta Read Thomas
Final Soliloquy of the Interior Paramour (2004)
- G Schirmer Inc (World)
- 1.1.1.asx.1/1.Ctpt.00/2perc/pf/vn.va.vc.db
- Mezzo Soprano, Tenor
- 8 min
- Wallace Stevens
Programme Note
Composer's Note:
Commissioned by the Barlow Endowment for Music Composition at Brigham Young University, and dedicated with admiration and gratitude to Alan Pierson and to members of the Alarm Will Sound Ensemble, Final Soliloquy of the Interior Paramour received its world premiere [on 7 April 2005]. It is 8 minutes in duration and was tailor-made for the specific musicians. For instance, a violinist in the group is also a counter-tenor, so I took the liberty of using his voice in the piece. I also requested the vocal range of each member of the ensemble and then wrote vocal parts for each. The solo Mezzo-Soprano and the Counter-Tenor sing the text to the Wallace Steven's poem entitled, Final Soliloquy of the Interior Paramour, while at the same time, members of the ensemble vocalize and chant Stevens' poem, The Poem That Took The Place Of A Mountain. The two poems are interlaced, as if commenting to one another.
Three works of mine make reference to poems of Stevens, the two others being: Words of the Sea for orchestra and Credences of Summer for orchestra, neither of which set his text but rather their music follows the argument and imagery of his poems.
— Augusta Read Thomas
Commissioned by the Barlow Endowment for Music Composition at Brigham Young University, and dedicated with admiration and gratitude to Alan Pierson and to members of the Alarm Will Sound Ensemble, Final Soliloquy of the Interior Paramour received its world premiere [on 7 April 2005]. It is 8 minutes in duration and was tailor-made for the specific musicians. For instance, a violinist in the group is also a counter-tenor, so I took the liberty of using his voice in the piece. I also requested the vocal range of each member of the ensemble and then wrote vocal parts for each. The solo Mezzo-Soprano and the Counter-Tenor sing the text to the Wallace Steven's poem entitled, Final Soliloquy of the Interior Paramour, while at the same time, members of the ensemble vocalize and chant Stevens' poem, The Poem That Took The Place Of A Mountain. The two poems are interlaced, as if commenting to one another.
Three works of mine make reference to poems of Stevens, the two others being: Words of the Sea for orchestra and Credences of Summer for orchestra, neither of which set his text but rather their music follows the argument and imagery of his poems.
— Augusta Read Thomas