Commissioned by Jane Manning

  • Soprano
  • 8 min
  • Robert Browning

Programme Note

PERORATION was written in 1973 in response to a commission from Jane Manning, to whom the work is dedicated. It was stimulated by a few lines from Robert Browning’s ‘Dominus Hyacinthus de Archangelis’ (The Ring and the Book). The poem recounts the trial of a certain Count Guido Francdeschini, who murdered his adulterous wife and his daughter to preserve his honour. The extracted lines from the conclusion of Count Guido’s defence are in the form of peroration. The use of Latin words and phrases so immediately followed by the English as to give the impression of simultaneous translation, gave the composer the idea for the musical form, namely two almost simultaneous parts. The first and last sections of the piece contain a third part which acts as a kind of commentary. The different parts move between the English and Latin freely.

Brian Elias

Media

Peroration

Reviews

...There’s a bitterness, a rage to a work that fights against text that (outwardly) attempts to exonerate, or at least soften into bland legalese, an act of double murder. The Count’s defence peppers his speech with plenty of Latin phrases, but bubbling up against this cool formality is music for female voice that fizzes and bursts with all the two silenced women are unable to say on their own behalf.

Alexandra Coghlan, The Arts Desk
26th April 2021

Discography

Jane's Minstrels

Jane's Minstrels
  • Label
    NMC
  • Catalogue Number
    NMCD025
  • Conductor
    Roger Montgomery
  • Soloist
    Jane Manning, soprano
  • Released
    1995

More Info