Stephen Albert
1941 - 1992
American
Summary
Overtones: Stephen Albert (1988)
Stephen Albert won the 1985 Pulitzer Prize in Music for his symphony RiverRun, and from 1985 to 1988 served as composer-in-residence with the Seattle Symphony. He received commissions from the Chicago, National, Pittsburgh, Baltimore, and Seattle symphonies, The Philadelphia Orchestra, the New York Philharmonic, the Chamber Music Society of Lincoln Center, and the Library of Congress. Among his other awards and honors were two MacDowell Colony fellowships, a Huntington Hartford Fellowship, two Guggenheim fellowships, two Rome Prizes, and grants from the Martha Baird Rockefeller Fund, the National Endowment for the Arts, the Ford Foundation, and the Alice M. Ditson Foundation.
Biography
Pulitzer Prize- and Grammy-winning composer Stephen Albert, whose tragic death in December of 1992 stunned the music world, was recognized in his lifetime for a body of work at once powerful, dramatic, colorful, and deeply emotive. Contemporary in sound, yet firmly rooted in traditional compositional techniques, Albert's music sought to establish links with fundamental human emotions and musical archetypes. He drew inspiration from the rich emotional palette of 19th-century music, and sought to discover, within the context of a personal 20th-century idiom, new connections with music of the past.
Born in New York City on 6 February 1941, Albert began his musical training on the piano, French horn, and trumpet as a youngster. He first studied composition at the age of 15 with Elie Siegmeister, and enrolled two years later at the Eastman School of Music, where he studied with Bernard Rogers. Following composition lessons in Stockholm with Karl-Birger Blomdahl, Albert studied with Joseph Castaldo at the Philadelphia Musical Academy (BM 1962); in 1963 he worked with George Rochberg at the University of Pennsylvania.
Stephen Albert won the 1985 Pulitzer Prize in Music for his symphony RiverRun, and from 1985 to 1988 served as composer-in-residence with the Seattle Symphony. He received commissions from the Chicago, National, Pittsburgh, Baltimore, and Seattle symphonies, The Philadelphia Orchestra, the New York Philharmonic, the Chamber Music Society of Lincoln Center, and the Library of Congress. Among his other awards and honors were two MacDowell Colony fellowships, a Huntington Hartford Fellowship, two Guggenheim fellowships, two Rome Prizes, and grants from the Martha Baird Rockefeller Fund, the National Endowment for the Arts, the Ford Foundation, and the Alice M. Ditson Foundation.
From 1988 to the time of his death, he was professor of composition at the Juilliard School of Music. He had also taught in the Lima, Ohio public schools (under a Ford Foundation grant as composer-in-residence), and at the Philadelphia Musical Academy (1968-70), Stanford University (1970-71), and Smith College (1974-76).
The works of James Joyce provided Albert with a potent creative stimulus; Finnegan's Wake and Ulysses served as springboards for his symphony RiverRun, Treestone, Flower of the Mountain, and Sun's Heat. His last works included the Cello Concerto, commissioned by the Baltimore Symphony for Yo-Yo Ma (and recorded by them on the Sony Classical label) and Wind Canticle, a clarinet concerto for David Shifrin and The Philadelphia Orchestra. Symphony No. 2 for the New York Philharmonic, completed in short score at the time of his death, received its premiere in November 1994. Recordings of Albert's music are available on the Nonesuch, Delos, New World, CRI, and Smithsonian Collection labels.
October 1996
Born in New York City on 6 February 1941, Albert began his musical training on the piano, French horn, and trumpet as a youngster. He first studied composition at the age of 15 with Elie Siegmeister, and enrolled two years later at the Eastman School of Music, where he studied with Bernard Rogers. Following composition lessons in Stockholm with Karl-Birger Blomdahl, Albert studied with Joseph Castaldo at the Philadelphia Musical Academy (BM 1962); in 1963 he worked with George Rochberg at the University of Pennsylvania.
Stephen Albert won the 1985 Pulitzer Prize in Music for his symphony RiverRun, and from 1985 to 1988 served as composer-in-residence with the Seattle Symphony. He received commissions from the Chicago, National, Pittsburgh, Baltimore, and Seattle symphonies, The Philadelphia Orchestra, the New York Philharmonic, the Chamber Music Society of Lincoln Center, and the Library of Congress. Among his other awards and honors were two MacDowell Colony fellowships, a Huntington Hartford Fellowship, two Guggenheim fellowships, two Rome Prizes, and grants from the Martha Baird Rockefeller Fund, the National Endowment for the Arts, the Ford Foundation, and the Alice M. Ditson Foundation.
From 1988 to the time of his death, he was professor of composition at the Juilliard School of Music. He had also taught in the Lima, Ohio public schools (under a Ford Foundation grant as composer-in-residence), and at the Philadelphia Musical Academy (1968-70), Stanford University (1970-71), and Smith College (1974-76).
The works of James Joyce provided Albert with a potent creative stimulus; Finnegan's Wake and Ulysses served as springboards for his symphony RiverRun, Treestone, Flower of the Mountain, and Sun's Heat. His last works included the Cello Concerto, commissioned by the Baltimore Symphony for Yo-Yo Ma (and recorded by them on the Sony Classical label) and Wind Canticle, a clarinet concerto for David Shifrin and The Philadelphia Orchestra. Symphony No. 2 for the New York Philharmonic, completed in short score at the time of his death, received its premiere in November 1994. Recordings of Albert's music are available on the Nonesuch, Delos, New World, CRI, and Smithsonian Collection labels.
October 1996
News
- Summer Listening: Clarinet Concertos
- 16th August 2019
- In works by Rolf Wallin and Kaija Saariaho, the clarinet floats atop massive, shifting musical atmospheres, occasionally punctuated by bursts of percussion. Watershed concertos by John Corigliano, Thea Musgrave, and...
- Summer Listening: Cello Concertos
- 19th July 2019
- Our summer listening series continues with orchestral repertoire that features solo cello. Selections range from concertos by Samuel Barber and Arnold Schoenberg to recent pieces by Thea Musgrave and Betsy Jolas, who...
Performances
There are no upcoming performances
Features
- American Symphonies from Ives to Zwilich
- G. Schirmer & Associated Music Publishers is pleased to announce that a digital download of our critical edition to Charles Ives' Symphony No. 4 is now for sale by Classical On Demand.
Photos

Discography
- LabelNaxos
- Catalogue Number8559257
- ConductorPaul Polivnick
- EnsembleRussian Philharmonic Orchestra
- Released27th March 2007
- Works
- LabelSony
- Catalogue Number752307
- ConductorDavid Zinman
- EnsembleBaltimore Symphony Orchestra
- SoloistYo-Yo Ma
- Works
- LabelAlbany Records
- Catalogue Number490
- ConductorEmily Freeman Brown
- EnsembleBowling Green Philharmonia
- Works
- LabelNaxos
- Catalogue Number8.559257
- ConductorPaul Polivnick
- EnsembleRussian Philharmonic Orchestra
- Works
- LabelNew World Records
- Catalogue Number80381
- ConductorGerard Schwarz
- EnsembleJuilliard Orchestra
- SoloistGary Lakes (Tenor)
- Works
- LabelAlbany Records
- Catalogue Number192
- ConductorSydney Hodkinson
- EnsembleEastman Musica Nova
- Works
- LabelPlaylist
- Works
- LabelDelos
- Catalogue NumberDelos DE 3059
- Works
- LabelDelos
- Catalogue NumberDelos D/CD 1016
- ConductorMstislav Rostropovich
- EnsembleNational Symphony Orchestra
- Works
- LabelElektra/Nonesuch
- Catalogue NumberElektra/Nonesuch 9 79153-2
- Works
Yo-Yo Ma - 30 Years Outside the Box

The Composer's Voice

Albert: Symphonies No 1 & 2

Juilliard Orchestra

Contemporary Music Vol 1

The A List



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