Paul Creston
1906 - 1985
American
Summary
Creston considered his greatest "teachers" to be Bach, Scarlatti, Chopin, Debussy, and Ravel. He wrote in an accessible, conservative style that incorporated song and dance idioms and often featured unusual instruments like the trombone, marimba, or saxophone. Lush harmonies and expansive orchestrations characterize an often brash and spontaneous body of work, organized around a remarkable mastery of thematic development evident in works such as the Symphony No. 2 and Chant of 1942.
Creston was the recipient of many awards and honors including a Guggenheim Fellowship and the New York Music Critics' Circle Award for his Symphony No. 1. He is the author of Principles of Rhythm and Rational Metric Notation as well as numerous articles analyzing four centuries of rhythmic practice.
— 1999
Performances
10th June 2023
- PERFORMERS
- Waukegan Symphony Orchestra
- CONDUCTOR
- Alexander Platt
- LOCATION
- Waukegan High School Trapp Auditorium, Waukegan , IL, United States of America
23rd June 2023
- PERFORMERS
- Students of Hochschule für Musik Würzburg
- LOCATION
- Residenz, Würzburg, Germany
25th June 2023
- PERFORMERS
- Orchester des Sächsisches Landesgymnasium für Musik "Carl Maria von Weber" Dresden
- CONDUCTOR
- Daniel Mäder-Arrabali
- LOCATION
- Kulturpalast, Dresden, Germany
26th June 2023
- PERFORMERS
- Orchester des Sächsisches Landesgymnasium für Musik "Carl Maria von Weber" Dresden
- CONDUCTOR
- Daniel Mäder-Arrabali
- LOCATION
- Kulturpalast, Dresden, Germany
1st July 2023
- SOLOISTS
- Alastair Burrows
- PERFORMERS
- Bolton Symphony Orchestra
- CONDUCTOR
- Ben Crick
- LOCATION
- Victoria Hall, Bolton, United Kingdom