Paul Creston
1906 - 1985
American
Summary
Creston considered his greatest "teachers" to be Bach, Scarlatti, Chopin, Debussy, and Ravel. He wrote in an accessible, conservative style that incorporated song and dance idioms and often featured unusual instruments like the trombone, marimba, or saxophone. Lush harmonies and expansive orchestrations characterize an often brash and spontaneous body of work, organized around a remarkable mastery of thematic development evident in works such as the Symphony No. 2 and Chant of 1942.
Creston was the recipient of many awards and honors including a Guggenheim Fellowship and the New York Music Critics' Circle Award for his Symphony No. 1. He is the author of Principles of Rhythm and Rational Metric Notation as well as numerous articles analyzing four centuries of rhythmic practice.
— 1999
Performances
31st May 2025
- SOLOISTS
- Dieter Pöll, marimba
- PERFORMERS
- Patentorchester München
- CONDUCTOR
- Folko Jungnitsch
- LOCATION
- Herkulessaal, Munich, Germany
6th June 2025
- SOLOISTS
- Jake LeChance
- PERFORMERS
- Guilford High School Orchestra
- CONDUCTOR
- Christoper Jones
- LOCATION
- Guilford High School Auditorium, Guilford, CT, United States of America
17th June 2025
- SOLOISTS
- Evelyne Leeb, saxophone
- PERFORMERS
- Städtisches Symphonieorchester Wels
- CONDUCTOR
- Walter Rescheneder
- LOCATION
- Stadttheater Greif, Wels, Austria
19th July 2025
- SOLOISTS
- Philipp Urban, marimba
- PERFORMERS
- Norderstedter Sinfonieorchester
- CONDUCTOR
- Frank Engelke
- LOCATION
- Scheune Pein, Norderstedt, Germany