Paul Creston
1906 - 1985
American
Summary
Creston considered his greatest "teachers" to be Bach, Scarlatti, Chopin, Debussy, and Ravel. He wrote in an accessible, conservative style that incorporated song and dance idioms and often featured unusual instruments like the trombone, marimba, or saxophone. Lush harmonies and expansive orchestrations characterize an often brash and spontaneous body of work, organized around a remarkable mastery of thematic development evident in works such as the Symphony No. 2 and Chant of 1942.
Creston was the recipient of many awards and honors including a Guggenheim Fellowship and the New York Music Critics' Circle Award for his Symphony No. 1. He is the author of Principles of Rhythm and Rational Metric Notation as well as numerous articles analyzing four centuries of rhythmic practice.
ā 1999
Performances
17th January 2026
- SOLOISTS
- John Church; Cater Mitchell
- PERFORMERS
- Spokane Symphony
- CONDUCTOR
- James Lowes
- LOCATION
- Martin Woldson Theater at the Fox, Spokane, WA, United States of America
18th January 2026
- SOLOISTS
- John Church; Cater Mitchell
- PERFORMERS
- Spokane Symphony
- CONDUCTOR
- James Lowes
- LOCATION
- Martin Woldson Theater at the Fox, Spokane, WA, United States of America
27th January 2026
- SOLOISTS
- Grant Futch
- PERFORMERS
- Germantown High School Wind Symphony
- CONDUCTOR
- Justin Harvison
- LOCATION
- Charlotte Seals Center for Performing Arts at Germantown High School, Madison, MS, United States of America
27th January 2026
- SOLOISTS
- Grant Futch
- PERFORMERS
- Germantown High School Wind Symphony
- CONDUCTOR
- Justin Harvison
- LOCATION
- Charlotte Seals Center for Performing Arts at Germantown High School, Madison, MS, United States of America
29th January 2026
- SOLOISTS
- Grant Futch
- PERFORMERS
- Germantown High School Wind Symphony
- CONDUCTOR
- Justin Harvison
- LOCATION
- Lee Hall Mississippi State University, Starkville, MS, United States of America